insight

What I'm Doing with My Life

Posted On: Fri, 2007-03-09 12:57 by alexevasion

I do most of my hardest thinking lying in bed at night. So, I drank too much Irish coffee on the fifth anniversary of 9/11 and I ended up on an uncomfortable mattress, unable to sleep, thinking about what I wanted to do with my life. The following is an edited transcript of what sprung forth from my mind. Perhaps it has some of the more questionable characteristics of my many other late night epiphanies, but most of this stuff has been getting firmed up in my mind over the past few years. Anyway, it has a much more profound effect on my actual behavior when I write these kinds of things down and make them public.

To get started, if you don't know me at all, here's the scoop. I'm 25 and at times feel about as lost as is to be expected at this age. I hate living up to common expectations. I took a year off from teaching/taking Sociology courses at the University of Florida in the Summer of 2006 and spent a year traveling while working on different projects with different people along the way. I'm writing my dissertation on resource sharing initiatives made possible by online social networking systems. My strongest family/personal relationships are all still in Florida, so I came back to take care of them. Anyhow, if you want to know more about me, read more stuff on this site.

One more thing that will help you understand me better is understanding that there are three core concepts that explain my behavior and outlook: Narcissism – Efficiency – Guilt. I'll demonstrate this trinity in context... I want gain status in unconventional ways. I am obsessed with achieving my full potential and helping others achieve theirs... and with the likelihood that I will come up far short on both counts. I want to do things with my life that return the favor for the massive amounts of unnecessary and mostly useless hardship I was lucky enough to avoid. To me, this goes beyond good works. It means shunning money (specifically its accumulation) and power (institutional or political).

I've stopped feeling guilty about being unemployed or underemployed. It's too common a measure of prestige and self-worth. As long as I'm not idle, I'm OK. I don't need to be paid to do work that I value because I would do it anyway. I don't need to have a job in order to demonstrate my importance to society. Moreover, given my extreme social privilege, financial security, and satisfaction with a low consumption lifestyle, others seem to need the jobs I am qualified for much more than myself. I'm pretty happy that I don't need to work to "make a living"; it makes the process of directing my life more interesting and challenging.

I want to do good works through social entrepreneurship - meaning directing my efforts and capital towards interesting projects that I can help produce valuable social outcomes. I've always liked the idea of paying it forward as much as possible. When the money runs out, I will still have strong knowledge, skills, and relationships to call upon. Besides, I think it might be more fun (not to mention romantic) to put myself in a position where I am forced to scrape by on my wits, luck, and the generosity of others. It would be both extremely challenging and unrewarding in the conventional monetary sense, thus giving me the alternative prestige avenue I always wanted.

After many years of experimentation, I have found that I have limited interest and aptitude for learning the kinds of very specific technical skills that most conventional jobs require. I don't much care for rote work of any kind and I consider it both my predilection and my sole justified return on investment to keep myself out of full time tedious production processes. I enjoy doing a bit of both hard manual labor and bureaucratic tasks to balance my existence, but they are not where I am happiest.

I want to work on developing cutting edge ideas with intelligent and interesting people. My gifts lie in idea work. I excel at the process of gathering diverse information, seeing a pattern or future trend emerging out of it, and then working out a rough sketch of what the idea needs to look like in pragmatic terms in order to be realized. I enjoy most the process of manipulating and creating knowledge that helps lift peoples' horizons, all the while informing/debating them about its potential benefits/dangers. I want to speak, write, teach, and consult for those who will benefit most from what I have to say.

How will I accomplish these things? I need to establish a reputation for having an original mind and become more visible. The wider my social network and work/giving experience, the more likely I will find the things I want in life. I need to actualize some good initial ideas that can get my name out there. I think that I can bring myself to work hard/smart enough to bring at least one of my conceptions to fruition. I need to finish my PhD and build an non profit organizational backdrop, because those credentials will give me that extra bit of status I'll need to land higher level projects. I need to move in many circles: media, academic, business, policy, philanthropy, etc. I need to travel to actively look for interesting people and ideas all over the world. I need to stay out of ruts and give up on dead ends faster. I need to take in and put out more high quality information. Most importantly, I need to believe even more firmly in my ability to accomplish all of this.

I want to live a constantly changing and exciting life. I want strangers to visit this site and be able to find out enough about me to feel comfortable with asking me to work with them. I want to develop a deep network of people that I respect, so that when I am amongst those whom I do not, I do not feel I am there because I have to be, but because I want to be. I want to find my tribe (people thinking about the world in similar ways), grow within it, and expand its number and vision. I want to have a lifestyle that resonates with others and challenges them to rethink their own. I want to learn how to create the most fulfilling life experiences possible for myself. This means good friends, good food, good exercise, good challenges, good conversations, good views, good coincidences, good information, good entertainment, and good clarity of mind. I want to be constantly learning more about more. Finally, I want to be happy with what I have and make others feel similarly.

As for my personal life, I want to find good friends, compatriots, and partners – I will keep searching for them all my life. I would like to have many children because I think I have a lot to offer both genetically and as a parent. It is a sad irony that population patterns are such that those who have less than average to offer on both counts generally have higher reproduction rates. I would like to have children with dual citizenship and diverse genetic/cultural backgrounds. I wouldn't mind creating the big extended family I never had. I want to give my children the most useful (not the most expensive) educational experiences possible. I would love them to grow up and eventually work on projects with me and with each other. Hopefully, they could carry my values and visions forward when I am gone. I want to live forever, but if that turns out not to be possible, I'd choose to die either righteously or in a drug induced bliss when I am no longer able to contribute any more to the world and those around me.

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University Classrooms as Social Laboratories

Posted On: Thu, 2008-09-04 00:58 by alexevasion

It wasn't that long ago that I was a brand new graduate student lecturer at the University of Florida. There was a time when it was necessary to have earned a Master's degree in order to teach one's own class at that institution, so having just gotten the physical proof of my new accreditation matted and framed, I felt quite prepared. Believe it or not, I had been excitedly planning for my new occupation ever since my freshman year in college. The evidence of those early thoughts (and their disorder) can still be found in some of my old spiral notebooks. I was never very impressed with the classes I took during those years, perhaps least so with those in my major concentration of study, sociology.

It does seem odd that one would choose to specialize in an area whose resident experts appeared the least capable, but this to a great extent reflects my somewhat unique way of looking at the world: If a task is important, but the people doing it seem less than competent, then what better area is there to put your efforts? It goes without saying that my narcissistic traits shone through especially well in this case. I can recall telling my friends that I knew I could do a better job than my intro and social problems professors. I was right, but this was of course before I had a full grasp on the nature of academic careers. It wasn't until later when I read my thesis adviser's book on the subject of teaching in higher education that I became more aware of the institutional environment in which my experiences had been situated.

John Scanzoni had by far the most interesting teaching style of anyone in the Sociology department. He taught courses on families and gender, but this topical area itself wasn't what drove his pedagogical methods. He was more of an old fashioned liberal arts educator in that the course materials were really just a foil for activities meant to improve students' core abilities - critical reading, writing, and debating with others in small group settings. It is probably fair to say that vast majority of students hated his classes. This was only natural, since they were devoid of the conventional structures they had been trained to deal with in high school and college.

There were no textbooks, lectures, tests to be found anywhere. All that existed was the imperative to write in a compelling fashion about the big questions that this area of study is predicated around: Why do families look the way they do? What are the social outcomes of their particular organization? How could they be structured in different ways and what might happen if they were? The resources available to you were the library, the professor, and your classmates. It was a bit of a sink or swim situation. A good proportion of students, not understanding quickly enough how to utilize the available life-saving devices, drowned. I liked the course format and did well in it, thus earning the some respect and interest of Dr. Scanzoni.

Still, I soon found out that he was more of a maverick than I was prepared to deal with at the time. I told him what I was working on for my honors thesis and before I knew it, he offered me the opportunity to use the next semester's students to aid me in my research. Of course I took it, but what I didn't understand at the time was that he would basically be putting me in charge of structuring and directing a course for fifty students six weeks later. I was just supposed to be the "head intern" for the course, but in reality, I found myself in the position of having to lead fifty of my peers through processes which I had no prior experience (neither did he), all before I could legally buy beer. The experience was especially jarring because it involved facilitating field research in a poor African American neighborhood (one in which I lived) that happened to be a major hub for the crack cocaine trade in the city.

What followed is best described as a well managed debacle. We had gotten a wide berth from department chair to go about engaging in these activities, but in all truth, no one outside of the class knew much about what happened that semester. Since I had helped Dr. Scanzoni step even further outside the traditional bounds of undergraduate curriculum, this time outside the classroom itself, there was some resulting mutiny and sabotage. After some incidents and altercations with neighborhood residents, some students banded together and refused to go into the field any more. Others tried to shift the direction of the research to their own interests and ends. We found out some of the interviews that students were supposed to have conducted with local parents had been falsified.

All in all, it is safe to say that dissatisfaction was widespread. Surely the students' course evaluations would provide adequate corroboration of this. Yet, I don't know that this wasn't true of his other courses at the time, or isn't still today. I became his formal (paid) teaching assistant the next year when I became a graduate student and I can't say the situation was that much different. Some people like his methods and learned a tremendous amount from the experience, but most did not. Yet, what was interesting about the aforementioned class was its truly impromptu, experimental nature. Did we rob the students of valuable knowledge they might have gotten through another randomly chosen course filled with lectures and exams? Perhaps, but that semester was a unique experience for all of them, regardless of what skills they did or didn't take away from it. They were involved in an exceedingly real and evolving story, both in terms of what happened in the class and what happened to the community we were working with that summer. We engaged in what could appropriately be called action research, but you'll have to read my thesis for more details on that approach and philosophy.

When I think back on this experience in reference to what my own courses late became, it does make the latter seem a bit disappointing. When I began teaching Principles of Sociology on my own, I took the mandate to educate very seriously. The students were predictably horrified, as would be expected by anyone with experience with freshmen gen ed courses. The expectations I placed on both myself and them were pretty high. I employed a textbook mostly just as a background reading device and publisher-provided fodder for multiple choice exams (which I still value in some small way). The rest of the course consisted of my own "lectures" on whatever readings I had chosen to engage as a corollary to the chapter we were "covering" that day. For instance, for race and ethnicity, I chose to compare the experiences of Jewish and gypsy peoples. For "economy and society", I focused on the very marginal concept of participatory economics. For deviance, I wrote an essay on my experiences in the "traveling kid" subculture and associated far left political activism.

It is important to note that I had to educate myself almost from scratch on almost every topic I chose. This is very different from the notion of "course prep" that most professors embrace, which basically consists of making commentaries on the chosen textbook materials. Moreover, I insisted that each student read my "lectures" online before class and send me a question and a comment, the best of which I used to structure our discussion. I also had them write a current event analysis each week and work on their research proposal (my version of a term paper) throughout the semester. Finally, as a mark of my own forward thinking innovation, in the early days of Wikipedia, I required students to write a substantial new entry for the online encyclopedia, one of adequate quality such that it would avoid the first knee-jerk-delete reflex of their vigilant editors at large.

This resulted in massive expenditures of effort on my part, even with small class sizes of 50-60 students. Still, I calculated that I was making almost $20/hr and receiving tuition waivers, so being 22 years old, I couldn't complain. After all, I could say that I had my own college course! I actually ended up posting the materials to the Wikiversity, where content moderators used to wanton plagiarism required me to prove my authorship. Moreover, I felt good about how I was going about teaching the course. Many of my colleagues brought their political positions to bear quite a lot in their own courses and for the most part, I felt myself to be above that. However, the longer I taught, the less I believed that any of these convictions really mattered one way or another because I became less convinced that the students were really learning anything at all. Sure, I could tell them all about the world and the many different ideas floating around in it, but even with all the reading and writing projects I endeavored to make them complete in a quality fashion, it still all seemed like too much of an exercise, both to them and myself.

Sure, there were some great students that I felt were growing intellectually through the experience. The process was fun for me even when there were few of them, because regardless, I love to read, write, and talk. Unluckily, the situation eventually became increasingly demoralizing when I began to concede to myself that I wouldn't be causing too many breakthroughs anytime soon. The students just wanted their degree and no matter what kind of novel approach I took to credentialing them through this one course. I was in the end just another gatekeeper holding letter grades over their heads. I was never naive enough not to understand this basic fact of college life, but I had hoped that I could achieve more by putting my own rigorous mark on a small part of the process. So, gradually I became less and less interested in working hard for them. I spent less and less time prepping new course material, ever more content to gently pad and increasingly coast on what I had already created. I saw myself becoming another professor who only changes the dates on their syllabus.

I quit teaching at the same time I finished taking mandatory courses for my PhD. I walked away from the education system entirely for the first time in my life, after almost twenty years in Florida's best public schools. This happens to everyone at some point, but I think it might have been a bit more darkly momentous for me. When I returned to the university two years later, I was demoted back down to being a teaching assistant again. My pay and hours were roughly the same as when I was teaching my own course, but it turned out to be a lot less work. It was more like data entry and secretarial work with a hint of teaching thrown in to assuage the ego. The woman I assisted was a permanent lecturer, meaning that she didn't do the research that all the other professors in the department did. She obviously liked teaching a lot because she taught twice as much of it as everyone else and did a slightly better job at it too. Still, I never felt the urge to switch places with her, not even for a pay hike.

This gets at the heart of my newly discovered reluctance to enter academia as it currently exists. I never liked the idea of writing for scholarly journals with extremely limited readership, but before I thought that might just be a prerequisite to be able to teach. However, now it seems that I have also lost the desire to teach, at least under the preconditions that I have experienced. On the other hand, I recognize that it will remain a major job option for me when I finish my dissertation and I have also decided that this aversion is probably a pretty silly one. In the great scheme of "making a difference", perhaps it doesn't rank too high. Yet it still gets fairly good returns in terms of social status, workload/pay, and autonomy, especially when taking into account the relatively small amount of true effort it requires. Still, I can't imagine shirking the responsibility of teaching anymore, no matter how lowly it might be ranked in my future job descriptions.

I had a personal low point this week. It came when I caught myself trying to devise a way to create a online course that would require the least possible effort from me. I was basically trying to plan ways to independently aid and abet the McDonaldization trend already occurring in public higher education. This is far from where I know I really want to be going, but it shows the extent to which I have been seduced into educational apathy. After thinking about this dilemma for a long time, the only suitable solution I can come up with is to embrace the potential efficinecies of information technology, while at the same time pushing the boundaries of experimentation that teaching at a university affords. This middle ground is about keeping courses I teach as fresh (uncanned) as possible, while reducing the my own level of repetitive labor.

While this might sound like I'm inviting the old burdens back upon myself, I have come to realize that those old teaching experiences were the richest I've had. Running Dr. Scanzoni's course and tecahing my first couple of courses gave me some of the most rewarding work experiences of my life. I learned so much more about managing people in the field and in the classroom because it was all so new and expected. Granted, I never could put the pedagogical pieces together quite right, but the attempting to fill in gaps as quickly as possible actually made me feel alive as both a teacher and a learner. I believe that the reason it felt this way was because though I was still just another small piece of the huge TA lumpen proletariat, I was still trying to use my teaching position as a research opportunity.

That's right - it was all about me! I'm no saint - I want the glory! We all do, even the enlightened old professors with thirty years behind the podium. Thinking of teaching as being as much about the needs of the teacher as it is about the needs of the students seems like a better approach. This doesn't mean letting teachers slack off and devote all their energy to extra-classroom research activities. It means letting them blend the two in a creative way, but not in the sense of assigning their latest book or journal article as course reading. For instance, I produced an ASA poster board and got to sit on a well attended panel next to Jimmy Wales (the founder of Wikipedia) as a result of my initiatives. This is merely a modest start. Since a teacher's level of engagement must be a powerful predictor of pedagogical effectiveness, it has to be a serious priority. Instructors who just go about fulfilling the teaching portion of their job descriptions have little hope of excelling in the classroom. This is why I favor allowing instructors to do anything that gets them excited intellectually, so long as it involves the students and the general topic they are supposed to be addressing.

I'm not talking about how psychologists use undergraduates as passive research subjects, either. Yes, it might still be difficult to work within the constraints of the standard size, standard length college course, but there is still so much that is possible even under this schema. Classes could start businesses or nonprofit organizations together. They could build websites, write graphic novels, or produce movies. They could do anything but go through the overly well trodden exercises we now consider to epitomize learning. Learning is best thought of as a by product of engaging activities. I want to start collecting accounts of experiments in higher ed to catalog the variety that has already existed. That way we'll know what's been tried, how it has fared, and what to think about trying next.

I often hear complaints about how teaching is devalued by the university system. Despite my own pro-teacher attitudes, I must confess that I would rather see the whole system overhauled and 90% of professors taken out of classrooms and put back to the work on research jobs they'd rather be doing anyway. The whole idea that students need to sit at desks and take notes on any individuals' impressions of general topical matters is patently absurd. Let the most entertaining analysts and instructors record themselves and post it online for an unlimited number of people to view, that way we can reduce the yawning epidemic among young people. Sure, I'm worried about reducing diversity of analysis too, but I don't think the current model fares any better. The truth of the matter is that agressive streamlining of higher education is coming and there won't be any unions strong enough to slow the momentum it is getting from private sector initiatives. The question is what should replace it.

I have to echo Dr. Scanzoni's call for the convergence of research and teaching. The university is a perfect site for innovation not just because student labor is free (it's like an unpaid internship), but also because anything almost anything goes there. Being an academic means getting more than academic freedom, but educational freedom as well. We should embrace the potential to do more than sub-secondary education teachers can do in their increasingly regulated classrooms. We're still mostly free from school boards and federal mandates, at least for the time being. Let's use it to begin thinking beyond how higher ed is currently done and consider the vastness of potential formats.

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Reanimating Essays

Posted On: Thu, 2008-05-01 06:32 by alexevasion

"Their content shows a willingness to explore tangents and not be bound by strictly linear presentation. The typical Believer essay - to the extent that such a thing can exist, given the magazine's commitment to the idiosyncrasy and multiplicity of voices - ranges and explores, collecting curiosities and offhand insights on its way to an argument and taking as much time, and as many words, as it needs. This formal elasticity is central to The Believer's critique of other magazines and the speeded-up, superficial culture of reading they sustain."

-from a NYTmag article on The Believer and n+1

Nelson Muntz (of The Simpons fame) once intoned to a print journalist, "Ha-ha, your medium is dying!" So, what about the rest of print? How can the bookish brigades not be happy with new finding that people are reading more these days? Well, they say that we read less of the "good stuff" than ever before. It is sometimes difficult to ascertain what exactly they mean by this... short stories, poetry, what? It seems to me that the factions of the literati sounding these alarms are almost always partisans of the novel. "Woe is fiction and its writers!", they all cry. Not to be too insensitive, but more now that ever, I find myself saying, "Fuck the novel! What about the essay?"

Novels, as smart as their writers and critics may be, still represent forms of artsy entertainment to me. I find that the love of essays is a more general barometer of intellectual appreciation. Fiction has plenty of value in its own right and I'm glad that some folks enjoy it enough to devote their lives to it, but I'm just not sure that it regularly advances its readers' sophistication of thought about the world around them. Look, I like stories as much as next person, but I'd rather spend my time indulging in straight forward insight and analysis of current cultural trends. I don't need Blood Diamond as a cinematic vehicle to help me digest the dizzying array of problems confronting West Africa. What I need is a small dose of decent research elegantly woven into a good old fashioned essay. I can learn more from reading one high quality essay than I can from a whole day of watching television or newspaper immersion. Still, I'm worried that essays aren't faring any better than the other kinds of long-form writing these days.

Essays are something the writerly classes should be able to unite around. They're one of the primary modes of communication they use to interact with each other in print. We all know by now that journalists, the flag bearing professionals of the lot, have been hurt by the vast accessibility of free online content. Although freelancers, the primary writers of essays, might not be doing as badly as the newspaper staffers who've found themselves on the chopping block in recent years, things all around are still looking grim. I cannot argue against Nick Carr's point that the large investigative reports once characteristic of our best periodicals might be inexorably on the wane due. Ironically, "news" readership continues to rise and doesn't show any signs of stalling. The public seems to love being fed blurbs: the inane headlines on yahoo, newscrawlers, and blogosphere-powered social media outlets like Digg.

It often makes me chuckle to think how Google Reader really discourages reading. It does what most information efficiency technologies strive to do - allowing readers to cross more stuff off their self assigned reading lists by encouraging the thin technique of title/first paragraph skimming. Publishers seem to think that by limiting the amount of content per post they allow feed aggregators like Reader to pull in, they will bait us into wanting to read the entire article, thus driving more traffic to their site. While I'm sure this works to some extent, by attempting to inconvenience readers on their quest for more and more quick and easy text, they inadvertently further ingrain the skimming mentality. Will this help kill their medium? That might be jumping to conclusions, but it is hard to imagine that it will help in any way

I wonder whether the essay has a bright future. How many people today would say they enjoy reading essays, let alone claim to be able make a living writing them? Most of them still associate them with high school English class or even worse, the written portions on the new generation of standardized tests. Perhaps it is their often meandering course that makes them so inaccessible to this generation of readers. Maybe they are just too long. If anything, pushing writing outlets further into the online abyss will continue to shorten the average length of their bread and butter content. This isn't just due to those annoying page breaks online which result in more fractions of cents being earned for the few additional advertising impressions they generate. It'd owing more to the mentality of people who do most of their reading online.

When I say "mentality", what I really mean is "attention habits". If ever you take the opportunity to observe the daily information gathering behavior of a seasoned online reader, you'll quickly see how different it is from someone who sits down to read the Sunday New York Times over brunch. Even if their content was similar in bulk, breadth, and quality (though it isn't), the web reader will be much more prone to skimming and jumping from piece to piece. While this may represent a more efficient information processing mechanism and is still notably better than just scanning listings of top headlines, it doesn't constitute a rebuttal to the charge of technologically induced ADD, that is, excessively expedient, superficial reading habits.

How could essays, those wordy and high concept behemoths, ever hope to get real readership while housed in this same medium, among their increasingly pared and beaten down journalistic brethren? Publishers realize this is a problem, so they often limit online access to essays. This further reduces public access and any chance of "conversion", especially where younger readers are concerned. The good news is that those of us who want to read them for free can still go to the local chain bookstore and track down all the magazines where Brijit told us we'd find the coolest sounding stories. Honestly, I've only bought something from Books a Million once, in order to obtain lifetime free wifi access so it could serve as a (free) supplement my university's library. I feel bad for magazine publishers and their poor writers, but not bad enough to purchase all the products that I read. Their best bet would be to keep the magazine off the shelves and the full text well guarded on their own websites. If their circulation numbers continue to fall, maybe they will.

The reason quality essays aren't more widely read is partly because their meandering style is just tough to sell to mass audiences. This is especially true online, where you generally need a hook at the end of each page to motivate the reader to keep clicking ahead to the next one. A novel's only hope of being turned into something more accessible is a talented screenwriter with decent film connections. The essay needs something similar, though also something distinct from the multimedia that sometimes is found to accompany exposes and reviews, its cousin nonfiction forms. It would seem that timelessness might be its most valuable quality, but I doubt this to be adequate to ensure its survival in any healthy manner. Perhaps more importantly, it might more easily lend itself to animation. The Internet increasingly demands that the "flat" nature of pure text needs to be "reanimated". Essays may represent the writing medium best suited for a cheap and easy multimedia retrofitting.

What I propose is selling publishers audiovisual enhancements of their content that can drive traffic to their websites, differentiate their print and digital materials, and bundle interactive marketing enhancements with their products. This would entail overlaying images and interactive material on top of narration of their essays. Mockups could be easily done with low end video editing software, but to make it more unique and proprietary, Flash would be best. Some corollary examples include Magnum photo essays or SlateV.

This is what magazines need to successfully make the transition online without cannibalizing their own content and revenue. We might label this as a foray into visual journalism, but more so than than in the case of journalistic photo essays, it should add a very particular flavor to the message. This flavor can also be altered for different audiences, to extenuate particular points (or digressions), and potentially to control the "shock" level of content. I would love to facilitate these transformative services and products for free via creative commons licenses, but after investigating the copyright issues and the line between fair use and a derivative work, I think this clearly falls on the side of the latter. Am I saddened? No, because I think the authors deserve the traffic that youtube or similar outlets likely wouldn't provide for them. If all goes exceedingly well, publishers would likely end up making the best content freely accessible anyway.

How might this operate as a more formalized business model? A website could be easily designed to both advertise the service to publishers and provide a platform through which they could play a role in the creative process. Once they have shown enough interest to provide the full text of a particular article, we could run a screenwriting contest from which the publishers (and potentially collaborating authors) would choose a winner. They would then choose narrators and animators from listings (complete with portfolios) on our site and have them produce the final product. All these producers would set their own rates (possibly through an internal bidding system) for particular products and we would negotiate a separate fee with the publishers.

What other forces besides changes in print production processes and public reading habits might drive demand for this kind of content? One potentially synergistic trend is the amount of archival materials periodicals are putting on their websites these days. Another is the reemergence of intellectual magazines such as The Believer and N+1, which wholly embrace the long essay form, but thus far have established only weak web presences to complement it. Speaking of this reemergence, it might also be possible to exhume and reinvigorate some content from their predecessors, many of whom went bust in the dot com bubble and were never resurrected: Might, The Baffler, Lingua Franca, Feed. Yet another is the growing popularity of documentaries, animated films, and graphic novels, of which the most innovative (read: least oriented towards persuasion) have a similar bent. I also just came across the phenomena of "Vladmasters", which is summarized via the below excerpt from the March 2008 issue of The Believer.

The artist who goes by the name Vladimir is one of the only known filmmakers working with View-Masters, which, if you remember, are those cheap-looking toy binoculars usually filled with images of zoo animals or dinosaurs. Instead of watching her so-called films on movie screens, audience members hold “stereoscopic viewing devices” up to their eyes and click through picture reels of dioramas, action figures, and abstract photographs of trains. Through her website, Vladimir mails her handmade films around the world, each one accompanied by a spoken-narration CD and sound track. Her “picture stories” have included adaptations of Calvino and Kafka, along with some of her own writing, like the one about the pseudo-mystical congregation of farming machinery. She claims to “seek out the forgotten, the discarded, and the overlooked objects of this world… and [takes] tiny, tiny photographs in order to tell their stories.”

Sure, what I'm talking about can easily be construed as art, film, or just multimedia enhancement of the written word. This doesn't mean that it will take "artists" to produce though. Given the scarcity of resources in the letters industry, this kind of work needs to be priced somewhat affordably. I only think that it will be possible if the storyboarding costs equal that of the illustrators/animators/montage makers. Luckily, the latter work can seemingly be outsourced to secure a labor rate of around $10/hr. Like all my ideas though, this one can't be vetted until a few demonstration projects have been tried. I have some essay candidates, but I'll need to secure permission from their publishers, find some talented screenwriters, and hire an animator to make them come to life. At that point it will be more clear whether adding extra Flash interactivity will financially feasible and complementary to the overall feel of the work.

There are also lots of emerging web applications which could help move the production process along, like Omnisio, Jumpcut, the Google Image Ripper, etc.

Production Phases:
1) Secure publishers' permission and interest
2) Choose a narrator
3) Hold Screenwriting contest
4) storyboarding/animation/montage making
5) Add potential flash effects

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